There were several table style displays in which Tillmans had accumulated various archival pieces such as newspaper articles, laser discs of Terminator 2 and 3, stamps and postcards (one ironically addressed to a gentleman with the same name as a coworker, Jose Marroquin), and other ephemera. There were also large black and white photographs, which I learned were actually blown up xerox copies. Of those I liked the detail of the mihrab in a mosque and the closeup of the wooden screen.
My favorite "series" though, was the abstract work. Predominantly swatches of color, Tillmans bent, folded, and crinkled the photo paper to provide a truly sculptural quality. While photographs traditionally are thought to be two dimensional objects of three dimensional space, Tillmans has taken a two dimensional "object" (color) and given it a three dimensional quality.
If nothing else, the show displays Tillmans versatility in his craft.